Category: Art and Design

Musée de l’Orangerie

 

Musée de l’Orangerie

Musée de l’Orangerie exterior.JPG
Musée de l’Orangerie (Estb. 1852) entrance
Location – Place de la Concorde
75001 Paris, France
Access – Concorde

Website – www.musee-orangerie.fr

The Musée de l’Orangerie is an art gallery of impressionist and post-impressionist paintings located in the west corner of the Tuileries Gardens next to the Place de la Concorde in Paris. Though most famous for being the permanent home for eight Water Lilies murals by Claude Monet, the museum also contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Alfred Sisley, Chaim Soutine, and Maurice Utrillo, among others.

 

Location

The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde near the Concorde metro station.

History

 According to the museum’s website, the Orangerie was originally built in 1852 by the architect Firmin Bourgeois and completed by his successor, Ludovico Visconti, to shelter the orange trees of the garden of the Tuileries. Used by the Third Republic in the nineteenth century as deposit for goods, an examination room, and place of lodging for mobilized soldiers, it also served to house sporting, musical, and patriotic events. Additionally, it was a place to display exhibitions of industry, animals, plants, as well as rare displays of painting.
 As art historian Michel Hoog states, “In 1921, the administration of the Beaux-Arts decided to assign to the Direction des Musées Nationaux (as it was then called) the two buildings overlooking the Place de la Concorde, the Jeu de Paume, and the Orangerie, which until then had been used for their original purpose. The Orangerie became an annex of the Musée du Luxembourg, unanimously criticized for being too small, while the Jeu de Paume was to be used for temporary exhibitions and to house contemporary foreign painting.” Claude Monet had requested to donate decorative panels to the French government as a monument to the end of World War I, and former politician (and close friend of Monet) Georges Clémenceau suggested that Monet install the paintings at the newly available Orangerie (rather than at the Jeu de Paume, which had smaller wall space, or, as was formerly planned, as an annex to the Musée Rodin).

On April 12, 1922 Claude Monet signed a contract donating the Nymphéas series of decorative panels painted on canvas to the French government, to be housed in redesigned, oval rooms at the Orangerie. With input from Monet, the head architect at the Louvre, Camille Lefèvre, drafted new plans and elevations in 1922 to house Monet’s large Nymphéas canvases, incorporating natural light, plain walls, and sparse interior decoration. According to Hoog’s research, “funds were made available on August 17, 1922, work began in October and seems to have been finished in [the] following year.” Unwilling to relinquish his final works of art, these water lilies paintings stayed with Monet until his death on December 5, 1926. On January 31, 1927 the Laurent-Fournier company agreed to install and mount the panels (a process that involved gluing the canvas directly to the walls), and the paintings were in place by March 26 of that year. On May 17, 1927 Monet’s Nymphéas at the Musée de l’Orangerie opened to the public.

According to Hoog, “In August 1944, during the battle for the Liberation of Paris, five shells fell on the rooms of the Nymphéas; two panels (those situated on the wall between the two rooms) were slightly damaged and immediately restored. In 1984, this restoration work was renewed and a general cleaning was effected.”

In January 2000, the museum was closed for renovation work, completely reviewed and restructured, and re-opened to the public in May 2006.

Paul Guillaume‘s widow, Mrs. Jean Walter, donated their modern art collection to the Musées Nationaux in 1958. The Orangerie has housed the Paul Guillaume collection of 19th and 20th century modern paintings since 1965.

Monet’s Water Lilies

Claude Monet‘s Nymphéas on display in the museum.

A cycle of Monet’s water-lily paintings, known as the Nymphéas, was arranged on the ground floor of the Orangerie in 1927. They are available under direct diffused light as was originally intended by Monet. The eight paintings are displayed in two oval rooms all along the walls. The museum was closed to the public from the end of August 1999 until May 2006. For several months before it was closed there was a special exhibit of Monet’s Nymphéas that were gathered from museums throughout the world. More than 60 of the 250 paintings he made of the water lilies in his garden were included. The walls were repainted in shades of purples and violet for this special exhibit. The Orangerie was renovated in order to move the paintings to the upper floor of the gallery.

 

Art museum – Impressionist and Post-impressionist paintings

Château de Saumur Exterior

 

In brief

Fortress during the 13th century under the minority of Saint Louis then residence of the dukes of Anjou, the castle of Saumur overhangs majestically the Loire River. In 1480 Saumur returned to the estates of Louis XI, King of France, following the death of King René, the last duke of Anjou. The site successively became a residence for the town governors, a prison and a munitions depot. The monument houses the municipal museum since 1912.

The monument has been the object of a meticulous restoration campaign. The beautiful pieces from the collections are displayed in the Château and in the Abbatial hall.

 

 

 

 

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Saumur

Château de Saumur porcelain collection

Exposition de Cheval

 

Google Maps – Château de Saumur

 

 

 

 

 

French Porcelain

 

The Château de Saumur holds a significant collection of ceramic art.

 

I will revisit the rooms later to take better images but the slides give an idea of the size of this permanent collection.

 

 

 

 

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My secret garden

This rear garden sees a few visitors. Beatrix Potter would like it here.

Many residential gardens in France are hidden behind austere facades and this is particularly true in Paris apparently.

 

 

 

 

 

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A list of some notable gardens in Touraine

Just taking note of this while I think of it. It stands out in its omission of Villandry but the other gardens are less well known so a really good list

 

From Touraine Tourism Board

 

Nantes Parks – Parc de la Morinière en hiver

This week we experienced the “Moscow” winter, a cold front coming from Russia bringing the temperature down to -10 overnight for a week. It’s not cold enough on the north ice cap. In Paris, public transport was brought to a halt but the days weren’t all grey here near the Atlantique coast. Gloves, hat and coat and camera and one of the best walks ever.  A full display of new winter flowering plants was a surprise. A small but lovely consolation.

 

 

 

 

 

 

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Nantes Parks – Parc de la Morinière en Hiver

 

 

 

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Models

I will write more about models later. Suffice to say that I am captivated by them and models made many years ago can be seen at some chateaux. See

 

 

 

  • Paris Opera
  • Gare de Orsay
  • Pompidou Centre cardboard fold out.
  • Le Louvre - displayed in rooms within the old foundations
  • Le Louvre - displayed in rooms within the old foundations
  • Le Louvre showing Les Tuileries jardins and L'Orangerie building which houses Monet's magnificent Water Lily installation.
  • Le Louvre - displayed in rooms within the old foundations
  • Gare Montparnasse, Paris
  • Chronographe - Digital representation of Gallo-Roman settlement in Rezé
  • Château de Villandry
  • Centre for Contemporary Art -Tours- with new addition
  • Château de Versailles
  • Musée d’Arts de Nantes with new "cube" addition
  • Musée d’Arts de Nantes
  • Château de Chenonceau
  • Château de Saumur - riverside
  • Château de Saumur - riverside
  • Château de Montsoreau - riverside
  • Château de Montsoreau - riverside
  • Château de Montsoreau - rear entrance
  • Château de Montsoreau - rear entrance

 

The Abbey of Fontevraud transformed into an Ideal City by artists

 

 

Alexandre Brongniart

Fuseau Vase Department of Decorative Arts: 19th century

On the baptism of his son, King of Rome, on 10 June 1811, Napoleon offered the infant’s godmother – his own mother, Madame Mère – this spectacular porcelain fuseau vase. The tortoiseshell ground provides a sumptuous setting for a portrait of Napoleon crossing the Alps, after David’s famous painting. The vase is typical of the designs of Alexandre Brongniart (1770-1847), director of the Sèvres Manufactory, who saw in porcelain a way of giving great history painting imperishable form.