Nantes Parks – Parc de Procé

 

« Nantes : peut-être avec Paris la seule ville de France où j’ai l’impression que peut m’arriver quelque chose qui en vaut la peine … où un esprit d’aventure au-delà de toutes les aventures habite encore certains êtres, Nantes, d’où peuvent encore me venir des amis, Nantes où j’ai aimé un parc : le parc de Procé. »  André Breton, 1928

 

“Nantes: perhaps with Paris the only city in France where I have the impression that something worthwhile can happen to me …  where for me the pace of life is not the same as elsewhere, where a spirit of adventure beyond all adventures still lives in some people, Nantes, where friends can still come to me, Nantes where I liked a park: Procé Park. André Breton, 1928

 

 

 

 

 

 

 

 

 

 

Parc de Procé has been appreciated by many people including Andre Breton, quoted on a plaque outside on the terrace café wall. Like most gardens in France they are entered by tall wrought iron gates and a café is housed in the old manor. Time doesn’t matter as we eat gelato and chat on the terrace looking down on the front park and fountain through the gnarled branches of the very old and well pruned crepe murtle trees. Pruning is an art form in France where ever it occurs and I imagine taken for granted a little by the French, but to me the shapes are a key to recalling and respecting formalities of times past.  A large Dahlia collection is secreted far away in the top corner of the gardens and comes as a surprise like many things. The species are all labelled and can be easily perused from markers along the stone mosaic paths.  A traditional rotunda, mint green sits playfully among the flowers.

 

 

Most of Procé’s (Wikipedia) park occupies the northern slopes of the Chézine valley, a tributary of the Loire . The river enters the park in the south-west under the Jules-César bridge and travels 200 metres south-east, feeding two small ponds before passing under the street of Dervallières; The space is mainly covered with lawns accessible to visitors, making it a popular place to walk.

 

The park’s manor house was built in the late 18th century. It was rebuilt around 1830 by Marion de Procé, owner and mayor of Saint-Père-en-Retz. His heirs later sold it to Gustave Caillé, a shipowner and wood merchant. The latter completely reorganized the park in 1866 according to the plans of the landscape architect Dominique Noisette (nephew of Louis Claude Noisette) and gives it its current appearance. His children, the poet, scholar and lawyer from Nantes Dominique Caillé, priest Charles Caillé and Arthur Écomard and wife of the mayor of Carquefou, sell the park to the city of Nantes in 1912 then led by Paul Bellamy, close friend of Arthur Écomard, at a symbolic price of 320,000 francs in order that it could be preserved. For the city of Nantes, this completed to the west of the city a set of large public green spaces.

 

During the First World War, part of the estate’s land was used by the town hall to remedy the food shortage. Plots were planted with potatoes and this operation, also carried out in the park of Grand-Blottereau , was successful due to the employment of German prisoners of war with the harvest reaching 137 tons. Moreover, facilities made available to sports companies were set up in the upper part of the park and the stage of Procé was inaugurated on May 4, 1919. They are supplemented by tribunes, inaugurated in 1936 and a track for athletics was created after the Second World War.

 

In 1929, the municipality planned to transform the part of the Chézine valley downstream of the park into a vast promenade leading to the Canclaux square. Most of the expropriations were implemented but the project was abandoned as a result of the change of the municipal team. However, from 1941, towards the south-east towards the place Paul-Doumer, a part of the acquired grounds made it possible to build a school stage and a garden for children (current kindergarten of the park of Procé ). The latter later receives the basin which was previously in the center of the Place Duchesse-Anne and hosted the statuary ” Bathers “, moved in the late 1920s during the work of diverting the Erdre.

 

In 1941, the municipality led by Auguste Pageot acquired four statues from the Palais du Trocadero in Paris, demolished in 1935 to make way for the Palais de Chaillot . They are installed in the upper part of the park. At the same time, the three sculptures are received and erected near the bridge Jules-Cesar, vestiges of the old municipal fishmonger. The building originally had four statues but the last one, representing the Erdre or Boulogne, disappeared during its demolition.

 

In 1995, Procé Park received its kiosk from the old Piou salons, after restoration. It’s a kiosk whose life was hectic. Built in the park of Château du Vivier in Saint-Joseph de Porterie, it joined in 1936 the district of Batignoles after the destruction of the castle. For 50 years it was the emblem of the Piou fairs (now Boulevard Jules-Verne), a community meeting place.

 

 

 

 

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Nantes Parks – Parc de la Gaudinière

In this wooded park, chestnut trees and centuries-old oaks rub shoulders with the exotic trees introduced in the 19th century. The park is also an exotic mountain walk in the hollow of the shady valley of the Patouillerie.

Former property of a Chaurand family the landscape design of this site dates back to the nineteenth century. It was remodeled in its upper part in the 1990s. Today, it reflects an image of the mountain and exudes such a natural atmosphere that exotic trees present, bald cypress, Douglas fir, redwoods, red oaks of America all appear to belong to the native flora.

The 30 000 bulbous plants scattered in the lawns offer a spring show at the end of March, extended by the flowering rhododendrons (collection of 1500 plants in 110 varieties) and that of perennials. In the hollow of the shaded valley, in the alpine rock sit Narcissus bulbs, crocuses and anemones. They are today the original signature of this par

 

 

 

 

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Vertou

 

 

 

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Nantes Parks – Parc de la Morinière

I won’t ever forget the exhilaration during my first Summer in France as I discovered the manor and its Japanese garden reached via a park which shared an overgrown boundary with the rear of our garden. I came to it unexpectedly under the huge Japanese elm at the end of three kilometers of cow paddocks and shady riverbank paths, somewhere between lazy suburbia and heaven. The soft shadows of the glades give way to remnants of an industrial past. We sat and ate cake from an old painted cake tin and I knew there and then, I was in France.

 

 

 

History

In 1972 Rezé City bought the Morinière Park, in order to preserve the green areas. Today, it is the second historic park of Rezé.

In the park of Morinière on the edge of the Sèvre, the brick chimney testifies to the industrial past of the site- powder deposit, fertilizer factory, palm oil production in the eighteenth century. Industrial plants follow one another on the site of Morinière. With the Sèvre two steps away and Port Morinière, now Léon-Sécher wharf, the transportation of industrial products by boat was easy.

In the middle of the 19th century the site was purchased by Henri Suzer who transformed Morinière tannery and the factory manufactured gaiters for the army. The war of 1870 signified a golden age of the tannery and the factory thrived employing nearly a thousand people on two sites, Morinière and the Isle of Versailles. Henri Suzer took the opportunity to build the manor, which he called “Le petit Choisy sur Sèvre”.

At the death of Henri Suzer, his son took responsibility for the factory but activity was slow and the factory was sold in 1894. The Society of Chemicals, Nantes took over with its manufacture of “blues” used to treat gold ores and in 1905 an explosion discharged toxic waste into the Sèvre, which colored the rock in blue, hence the name, the blue path. After the First World War, the factory no longer was in operation but the manor remained inhabited.

In 1972, the city bought four hectares of the site, the manor and the buildings for 800 000 F. If the manor was in a good state, the industrial buildings were dilapidated. The chimney stamped “SN” sits in the middle of the plants. It is not so much the manor as the ground which interests Rezé. At the time, the only park in the town was the Carterie, in the district Pont-Rousseau. It was therefore a policy of preservation of green areas and development of relaxation areas that pushed the city to acquire the Morinière.

The land was converted into a park, the old tannery into a reception center for foreign delegations and the manor ground floor used as an exhibition space in the Summer months.

 

 

 

 

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Nantes Parks – Sèvre Nantaise

The Sèvre Nantaise is a river in western France, a left-bank tributary to the Loire. Its total length is 142 km. Its source is in the Deux-Sèvres département, near Secondigny.

 

 

 

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Nantes

Before my arrival in Nantes, France I was surprised by the nod of approval given by French people in Australia. It has a population of 200,000 people making it lively while retaining a beautiful sense of space and though one of my earliest experiences of small French cities, I expect Nantes to remain as my benchmark for assessing the quality of life in all other places.

 

 

History (Britannica)

Nantes, city, Loire-Atlantique département, Pays de la Loire région, western France. Nantes is situated at the head of the estuary of the Loire River, where it is joined by the Erdre and the Sèvre rivers, 35 miles (56 km) from the sea and southwest of Paris. It is one of the French towns that has changed the most in the 20th and 21st centuries.

Nantes derives its name from the Namnètes, a Gallic tribe who made it their capital. It became a commercial centre under the Romans. The Normans, after pillaging the town, occupied it from 834 to 936. After a long struggle in the Middle Ages between the counts of Nantes and Rennes for the sovereignty of Brittany, in 1560, Francis II, king of France (1559–60), granted Nantes a communal constitution. During the Wars of Religion (1562–98), Nantes joined the Catholic League and only opened its gates to Henry IV, king of France (1589–1610), in 1598, the same year he signed the Edict of Nantes, a charter assuring religious and civil liberties to the Protestants. During the French Revolution, Nantes suffered the ruthless repression of an envoy of the revolutionary Committee of Public Safety named Jean-Baptiste Carrier. In 1793 Carrier replaced executions by the guillotine, which he considered too slow, with mass drownings. The city was occupied by the Germans during World War II.

Greatly modified by an urban renewal plan that was adopted in 1920, Nantes was further altered and extended after having been partly destroyed in World War II. In the 1960s Nantes was designated as one of the eight provincial counterweights to reduce the dominance of Paris on French national life. It has become a dynamic regional centre, with a diversified economic structure. Traditional industries such as food processing, engineering, and the manufacture of components for the aeronautical industry remain important, but recent growth has occurred in fields such as biotechnology. A large scientific park, created in 1987, was designed to foster these activities. Nantes is also a major business centre and is the home of many regional headquarters of both industrial and services firms. A number of public and private sector offices have relocated from Paris to the city. Nantes has a large higher education section. The original university (founded 1460) was abolished during the French Revolution, but a new one was established in 1961. Tourism has been stimulated by redevelopment of part of the former docklands and the building of specialized conference facilities.

 

 

 

 

 

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Wikiwand Timeline of Nantes

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Clisson

 

 

Clisson is a commune in the Loire-Atlantique département in Pays de la Loire in western France. It is situated at the confluence of the Sèvre Nantaise and the Moine 27 km southeast of Nantes by rail. The town and the celebrated family of Clisson, the most famous members being Olivier IV de Clisson and Jeanne de Clisson, take their name from the stronghold, its imposing ruins in part dating from the thirteenth century. Within then independent Brittany, Château de Clisson, situated at a crossroads for Anjou and Poitou, was one of the great fortified places on the frontiers of the Duchy of Brittany. The first Lords of Clisson occupied the site from the 11th century. They are mentioned for the first time in 1040. Clisson was then the seat of a powerful châtellenie covering 23 parishes.

 

The castle

Most of the present castle was built in the 13th century. Constructed by Guillaume de Clisson, on a rocky outcrop dominating the Sèvre Nantaise, its form at that time was an irregular polygon flanked by round towers and isolated from the rocky plateau by a shallow moat. In the 14th century, Olivier III de Clisson incorporated the gatehouse into a massive quadrilangular keep. The two semicircular towers of the gatehouse collapsed in the 17th century. The castle became the setting for the turbulent lives of Olivier IV de Clisson and Olivier V de Clisson, named Constable of France in succession to Du Guesclin in 1380. The castle is said to be haunted by Jeanne de Clisson wife of Olivier IV.

In the 15th century, the fortifications were modernised to permit the use of artillery. In the second half of the century, the former entrance was modified and the curtain wall was extended and completed by a barbican. At the same time, the castle was enlarged to the west with a new rectangular enclosure nearly 100 m long, armed with towers with artillery casemates.

After 1420, the castle became the property of the Duke of Brittany. It was one of the favourite residences of Duke Francis II who was remarried there, to Marguerite de Foix in 1474. He built a second rectangular enceinte flanked by artillery towers. Around 1590, the troubled period of the French Wars of Religion necessitated the construction of three terraced bastions on the south. Thus, three lines of defence in depth protected the site.

Until the 17th century, the castle was the residence of the Avaugour family, descendants of François Ier d’Avaugour, illegitimate son of François II. He modified and transformed the castle to suit the tastes and fashions of the day. During the War in the Vendée, the town and its castle were burned by the Infernal columns of Jean-Baptiste Kléber. In 1807, the estate was bought by the sculptor François-Frédéric Lemot with the goal of conservation. During the 19th century, the ruined castle attracted Romantic painters and sculptors.

 

The castle ruins (seen here in the 1890s) were a source of inspiration for Romantic artists.

The remains of the castle were classed as a monument historique by a French Ministry of Culture decree of 13 August 1924. In 1962, the castle was sold by the Lemot family to the Conseil général of the Loire-Atlantique, who carried out important restoration works with the assistance of the French Ministry of Culture.

 

Permanent exhibition space at the estate

 

The influence of François-Frédéric Lemot is outstanding as he brought his taste for Italian art and architecture to Clisson.

 

Today Clisson exists as a flavour of Italy within France’s North West and the building styles and materials attest to this. Red terracotta roof tiles mix with slate and the rectangular tower of l’Eglise Notre-Dame de Clisson sits atop the building as it cascades down the slope to the narrow roadways leading to the river. Bright geraniums and pizza restaurants make for great outdoor the market in Summer.

 

 

 

 

 

 

 

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Clisson

 

Today Clisson exists as a flavour of Italy within France’s North West and the building styles and materials attest to this. Red terracotta roof tiles mix with slate and the rectangular tower of l’Eglise Notre-Dame de Clisson sits atop the building as it cascades down the slope to the narrow roadways leading to the river. Bright geraniums and pizza restaurants make for great outdoor the market in Summer. The influence of François-Frédéric Lemot is outstanding as he brought his taste for Italian art and architecture to Clisson.

 

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Rezé

A walk to La Poste is to experience a street that has been under repair for seven years and now one of the final stages is taking place in the form of block work that has a team of tradespeople bending all day as they meticulously cut and place stones. This artful mosaic of granite seems to be a statement of trust in a work that shouldn’t need touching for another 100 years. No wonder the underlying infrastructure needs to be deliberated over for so long but the end result is testimony to the respect given to these historical streets in French towns and cities.

On my way into Nantes I prefer to walk one stop back to the terminus at Rezé, adding time just to experience the grass tramlines. What could be considered mundane zones in France are treated with attention and expense elevating their status for the appreciation by pedestrians and motorists. A dry corner car park has the added value of a cooling grid canopy of pruned greenery and is located opposite contemporary shards, large rusted metal sculptures strewn in the grass at the entry point to the Reze commune. Shabby wild flowers are intentional, carpeting the tramlines once the line turns the corner towards Nantes a couple of km away. Every French town has a boulangerie and the geometry of this bold yellow building sits well within the precinct, adding a sense of exuberance to an area otherwise dominated by plain multi story accommodation.

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