Paris

 

 Old Maps of Paris

Paris (Lutèce) Circa 508

Clovis I, who in 481 became king at 16 years of age, made Paris his capital in the year 508. Clovis I is considered to be the founder of the Merovingian Dynasty, which ruled the Frankish kingdom for the next 200 years. He was the king of the Franks who would successfully unify all Frankish tribes into one kingdom under one ruler.

 

 

Paris Circa 1422

In 1466, perhaps 40,000 people died of the plague in Paris. During the 16th and 17th centuries, the black plague visited Paris for almost one year out of three.

France is under the rule of House of Valois with the death of Charles VI. After the death of King Charles VI, King Henry VI of England (House of Lancaster), becomes regent of France after the Treaty of Troyes. His rule lasts from 1422 to 1453. At the same time Charles VII also claims the throne with the death of his father.

The House Valois of France rules until 1589 when The House of Bourbon inherits the throne.

Maps after this date will indicate the growth that followed this period.

 

 

Paris 1615 Plan De Mérain

The construction of the Luxembourg Palace and gardens begins in 1615.

 

The geography of Paris – from paris-city.fr

Paris, the capital of France and of the Ile de France region, covers a surface area of 105 km² and has a population, according to the last census in 1999, of 2,125,246. At the end of the 20th century, the Paris agglomeration counted 11,131,412 inhabitants, of which 2,147,274 within the city proper.

Parisians make up 19.4% of the population of the Ile de France region (estimated 1st January 2003). The overall population of the region has been in constant decline for over 70 years.

 

 

Paris is administrative department 75, and within the department, the city is divided into 20 administrative arrondissements. The arrondissements are set out in the form of a spiral, with the first arrondissement in the centre and the numbers increasing outwards in a clockwise direction.

 

 

Paris occupies the heart of a sedimentary basin in the western reaches of the great plains of Northern Europe. In the centre of the fluvial plain of the Seine, the city lies just downstream of the Seine-Marne confluence and upstream of the confluence with the Oise. The naturally occurring waterway crossroads explains the existence and exceptional development over fifteen centuries of this urban pole.

More precisely, Paris formed around the l’île de la Cité at the junction of two great waterways. The north-south axis weaves between the hills of Montmartre and Belleville over the hillock of la Chapelle, the gateway to gares du Nord et de l’Est and the Saint-Martin canal.
At Châtelet in the centre, the east-west axis runs alongside the Seine on the right bank, through la Bastille, the Louvre and the Champs-Élysées, over to the suburbs in Chaillot and beyond, la Défense.From there, the axis runs along Rue Saint-Martin and Rue Saint-Denis, crosses the Seine at the pont au Change and climbs up the right bank, following the Montagne Sainte-Geneviève.

 

This axis was followed underground when the first metro line was built, inaugurated in 1900, the line ran from Porte Maillot to Vincennes (later extended to Neuilly in the west). This route through the city is dotted with prestigious monuments, which, together with the presence of Place de l’Etoile and Nation at either end of the line, then the forests of Vincennes and Boulogne beyond, demonstrates the east-west symmetry of the city. City facts : Insee
The UNESCO has classified as a collective world heritage site over 30 bridges that cross the Seine in Paris, from Pont-Neuf, completed in 1607, to Pont Charles de Gaulle, inaugurated in 1996. Upriver, the banks of the Seine have changed radically since the 1980’s; the right bank has seen the emergence of the ZAC (Concerted Development Zone) at Bercy, with the new Ministry of the Economy rising above the river.

The opposite bank is occupied by the big construction zone of Tolbiac, dominated by the four towers of the National Library, now called the Bibliothèque François-Mitterrand (architect : Dominique Perrault). Once past the gare de Lyon (right bank) and the d’Austerlitz (left bank), the Seine moves into the historical heart of Paris, flowing around the little islands of Ile Saint-Louis and Ile de la Cité.There, in an area of less than 20 hectares, are gathered the Cathedral Notre-Dame, the Hôtel-Dieu and, inside the walls of the old royal palace, Sainte-Chapelle and the Palais de justice. Just across the river, on the right bank, stands the Hôtel de ville.Beyond, the Seine stretches before the long colonnade of the Louvre.

 

Further to the west are the Jardin des Tuileries and Place de la Concorde on the right bank. The monuments here bring to mind the Universal Expositions that took place in Paris: the Eiffel tower, put in place for the exposition of 1889; the Petit et Grand Palais (1900); the Palais de Chaillot (1937).
Before leaving Paris the Seine passes the Maison de la Radio and the towers of operation Front de Seine. Paris has served for ten centuries as a political capital for a number of reasons: its geographical situation in the centre of the Parisian basin, which is the site of important river confluences; the busy crossroads that it naturally forms for road and rail networks, as well as busy flight paths; its easy access to the sea via the navigable river Seine; its proximity to North-Western Europe, which is one of the most concentrated industrialised and urbanised regions in the world. Paris is in a marginal position relative to the industrial axis that stretches from Rotterdam to Milan, however the putting in place a European fast rail network would largely compensate for this, making Paris the hub for transport through the channel tunnel into the U.K.
Paris has the highest rates of business activity and productivity in France. The tertiary sector alone employs 3 million people in the Greater Paris area. Almost a third of that employment stems from the city’s function as the political and administrative capital.

In other words, the standard of living is higher in Paris than anywhere else in the country. This is the result of different activities and economic processes that come with any very large city, and the snowball effect that they have on the surrounding environment. The tertiary sector grows and diversifies; while the resulting intensification of communication and transaction activities pushes the industrial sector out to the suburbs.
For some years, there has been clear increase in high-tech industries, particularly in the electronics and computer sectors, matched by a simultaneous decline in traditional industries like timber, clothing, leather and printing. What’s more, the number of businesses has decreased by 15%, or 30,000 companies, predominantly among trade activities and light industry.
Paris and the Parisian region therefore constitute one of the most complex industrial poles there is, much more even than the large industrial regions, such as La Lorraine or Le Nord. In reality, efforts to decongest the capital are constantly battling against the need to keep a sufficient mass of jobs there for the tertiary sector to be supported and developed. The array of tertiary activities being conducted in Paris and its suburbs is more and more visible as time goes on. The effect on the city is an increased demand for office space, and consequently modern office buildings rapidly springing up throughout the city. Along the axis formed by la Défense, the Champs-Élysées and Bercy, one of the most attractive tertiary sector corridors in Europe stretches over 30 km all the way from Saint-Germain-en-Laye to Marne-la-Vallée.

This is visibly the case, zones of industrial activity are heavily present around the outskirts of the city today, notably the automotive sector which pioneered the outward migration.The greater urban area represents a network of industries, which are linked to each other by complex relationships: the tourism sector with luxury industries, scientific research and artistic activities with high-tech industries and producers of cultural goods. Paris attracts more conferences, salons and expositions than any other city in the world. Some of the city’s attractions are visited by more than a million visitors each year, notably the Pompidou Art & Cultural Centre or the Eiffel Tower, or outside the city: Versailles or Disneyland-Paris, at Marne La Vallée. Certain monuments, of course, will always remain the must-see spectacles for tourists: the Eiffel Tower, the Arc de Triomphe, Montmartre, Notre-Dame, the Pantheon, the Louvre, or the Palais des Invalides. Of course, tourists also make up a great number of the visitors to the 200 museums, the 120 theatres and music venues and the hotels: 200,000 rooms are available in Ile de France, three quarters of them in the capital. The wholesale food business was radically transformed by the transfer from Les Halles to Rungis, which has become a unique centre for the redistribution of produce, not only throughout the whole of France but even overseas.

The greatest concentration of head-quarters and power centres are located in the west of the city. Since 1977, Paris has been administrated by a mayor elected by universal suffrage. Jacques Chirac was the first person to be elected to that post.
The Elysée Palace, residence of the President of the Republic, is situated on the right bank of the Seine, behind the gardens of the Champs-Elysées. The ministries are located on the other side of the river, in sumptuous buildings in Faubourg Saint-Germain (such as Hôtel Matignon, the residence of the prime minister). Nearby, and closing the perimeter inside which are gathered the central powers, the Palais Bourbon houses the Assemblée Nationale, facing Place de la Concorde, and the Palais du Luxembourg, constructed for Marie de Medici in the early 17th century, which now houses the Senate. The relocation of the Ministry for Public Facilities to the Grande Arche de la Défense didn’t very much change the geography of the official palaces.

The centres of economic and financial power are almost exclusively on the right bank, in the quarters most marked by Haussmann’s works, between Opéra and Place de Étoile. This business quarter, based around the Banque de France and the stock exchange, or Bourse (1808-1826, architect Brongniart) the second in Europe after London, has been expanding steadily towards the west. There you can find the headquarters of various insurance companies, banks and big businesses, but equally the area has many luxury stores: jewellers in the Place Vendôme, big car dealerships on the Champs-Elysées and fashion houses on Avenue Montaigne.
On the left bank, within the triangle formed by the Natural History Museum, the Ecole Normale Supérieure and the Institut de France, can be found the most prestigious academic establishments in France: Sorbonne and the Collège de France . The cultural vocation of the quarter is further emphasised by the presence of numerous publishing houses and by the general literary life that animates the area around the church of Saint-Germain-des-Près.

The right bank is not entirely left out: the Palais Royal, which was home to the Orleans family, was in the 18th century one of the centres of the Enlightenment movement. Napoleon I also made an impact on the right bank when he decided to transform the Louvre into a museum. With the construction of the Georges Pompidou Centre for Art & Culture, the Picasso Museum, the Cité des Sciences at La Villette and the Bastille Opera, cultural points of interest were installed in parts of the city that had, until then, been quite barren. While the west of Paris developed a bourgeois and plush character, the eastern districts have long housed a working class population and various industrial and trade activities. The story of the Commune of Paris and the inexorable march of the Versailles forces from west to east, until the Wall of the Federates in Père Lachaise cemetery, illustrate this political and social asymmetry in the city.

The presence of the Saint-Martin canal, the major freight stations (North, East, Tolbiac) and the warehouses of Bercy explains the location of materials handling and conversion activities in the north and east of the city. Bastille was traditionally the quarter of the cabinet makers, while the rug makers of “Manufacture des Gobelins” set up shop close to Place d’Italie.
The desire to rebalance the city towards the east, combined with the departure of industry from the city, brought about efforts to rapidly install tertiary activities in these districts – a prime example is the ZAC at Bercy. Simultaneously, the arrival of wealthier residents in the east of Paris is gradually changing the social composition of that part of the city.

 

 

 

 

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Portail de Paris Portail de Paris

Château de Versailles

Queens bedroom last modified by Marie Antoinette

 

 

 

From the official website

The Palace of Versailles has been listed as a World Heritage Site for 30 years and is one of the greatest achievements in French 17th century art. Louis XIII’s old hunting pavilion was transformed and extended by his son, Louis XIV, when he installed the Court and government there in 1682. A succession of kings continued to embellish the Palace up until the French Revolution.

 

 

In 1789, the French Revolution forced Louis XVI to leave Versailles for Paris. The Palace would never again be a royal residence and a new role was assigned to it in the 19th century, when it became the Museum of the History of France in 1837 by order of King Louis-Philippe, who came to the throne in 1830. The rooms of the Palace were then devoted to housing new collections of paintings and sculptures representing great figures and important events that had marked the History of France. These collections continued to be expanded until the early 20th century at which time, under the influence of its most eminent curator, Pierre de Nolhac, the Palace rediscovered its historical role when the whole central part was restored to the appearance it had had as a royal residence during the Ancien Régime.

 

The Palace of Versailles never played the protective role of a medieval stronghold. Beginning in the Renaissance period, the term “chateau” was used to refer to the rural location of a luxurious residence, as opposed to an urban palace. It was thus common to speak of the Louvre “Palais” in the heart of Paris, and the “Château” of Versailles out in the country. Versailles was only a village at the time. It was destroyed in 1673 to make way for the new town Louis XIV wished to create. Currently the centrepiece of Versailles urban planning, the Palace now seems a far cry from the countryside residence it once was. Nevertheless, the garden end on the west side of the Estate of Versailles is still adjoined by woods and agriculture.

 

 

 

 

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Villandry

 

From the Villandry Official Website

Villandry is one of the great chateaux built on the banks of the Loire during the Renaissance. It has the distinctive feature of being the residence of neither a king nor a courtesan, but of Jean Le Breton, Minister of Finance for François I.

At Villandry, Jean Le Breton drew on his exceptional architectural experience acquired on a large number of sites, including the Chateau of Chambord, which he supervised and directed on behalf of the Crown over many years.

When he arrived in Villandry in 1532, he had the old feudal fortress razed to the ground, except for the keep, a dramatic testimony to the conference held on 4 July 1189 at which Henry II of England (Henry Plantagenet) admitted his defeat before King Philip Augustus of France, signing the treaty known as “La Paix de Colombiers ” (The Peace of Colombiers) two days before he died.

In place of the fortress, he had three apparently simple main structures built adjoining the keep, to form a horseshoe opening onto the valley through which the Cher and the Loire flow. Arcades, mullioned windows surrounded by richly decorated pilasters, high lucarnes with sculpted curves and broad, steeply sloping slate roofs frame a main courtyard in proportions of rare elegance, the whole stamped with the architectural principle of the period: symmetry.

Despite being nearby and almost contemporary to Azay-le-Rideau, at Villandry the Italian influences and medieval references – turrets, pinnacles, decorative machicolations – completely disappeared to make way for a simpler, purely French style which, in particular as regards the form of the roofs, prefigured Anet, Fontainebleau and what was to become Henry IV style. Villandry’s originality lies not only in its avant-garde architectural design; it is also to be found in the use made of the site on which it was built, in complete harmony with nature and stone, with gardens of outstanding beauty.

However as a result of architectural changes made in the 18th century, the Renaissance chateau had lost its character and remained that way until 1906. In the early 20th century, Dr Joachim Carvallo and his wife Ann Coleman, heir to an American iron and steel empire, purchased Villandry. Leaving behind the laboratories of the Paris Faculty of Medicine where, a favourite disciple of Charles Richet (winner of the Nobel Prize in 1913), he was conducting advanced research into the physiology of digestion, Carvallo put all his energies and fortune into restoring Villandry to its former glory. With the help of a team of 100 stonemasons, he returned the chateau’s façades to their Renaissance beauty.

 

 

 

 

 

The gardens of Villandry above, before restoration to their Renaissance glory by Carvallo

The acquisition of Villandry by Joachim Carvallo marked a return to their roots for the gardens. Already known for their beauty in the Renaissance, different owners successively transformed them, now into a formal garden, now a romantic garden. With a scientist’s meticulousness, Carvallo recreated gardens that were worthy of the restored chateau. The gardens had changed drastically over time. Ever since the construction of the Chateau of Villandry in 1532, outstanding gardens had embellished the building. The passage of time and changing fashions meant they underwent drastic changes in appearance. Archeological findings tell us how, in the Renaissance, there was a decorative kitchen garden at close proximity to the chateau.

In the 18th century, the grounds were enlarged and enriched with a formal garden, then an ornamental lake in the shape of a Louis XV mirror. When Joachim Carvallo visited Villandry in 1906, he found: « The grounds [are] landscaped in the English style, all undulations and hillocks (…), planted with a good many recently imported exotic species – cedars, pines, thujas, magnolias – set in clumps on the slopes of artificial mounds. The chateau itself [is lost] in a forest of trees and greenery. »

 

 

 

 

The romantic English garden was not to Carvallo’s taste and, between 1908 and 1918, he devoted himself to recreating the Renaissance gardens. He felt that the now restored Renaissance chateau ought to have fitting gardens. As a man of science, he used a scientific approach to assemble a series of archeological and literary clues. By comparing the remains of walls and pipes against old plans, such as those of the Marquis de Castellane and the Napoleonic land register, Carvallo was able to recreate the decorative kitchen garden, while works like Les Plus Excellents bâtiments de France or the Monasticon Gallicanum gave him an idea of Renaissance landscaping. To recreate the ornamental salons on their original terraces, he called on the painter Lozano and Spanish artist and landscape architect Javier de Winthuysen to design the salon of the crosses and the salon of love. The salon of music was designed by Joachim himself. For the ‘classical’ water garden, typical of the 18th century, he used the Marquis of Castellane’s plans, preserved in the Napoleonic land register.
Far from being a mere replica of gardens reproduced in architectural treatises, the gardens of Villandry are a reinvention. From their layout to the choice of vegetables, everything was conceived in terms of a return to the origins of the Renaissance formal garden.

 

 

 

 

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Nantes – Château – Château de Bretagne

 

From the official website of Château de Bretagne

The monument

Set in the historic heart of Nantes, the Château des ducs de Bretagne is the city’s most important historic building, along with the Cathedral St. Pierre. When looking at it from the city, it is a fortress with 500 metres of curtain walls punctuated by seven towers, all linked by a sentry walkway. The inner courtyard reveals an elegant 15th century ducal residence made of tufa stone, in flamboyant gothic style and bearing the first traces of Renaissance inspiration, as well as other buildings dating back from the 16th and the 18th centuries. With their elegant white stone walls and sophisticated sculpted façades, they contrast strikingly with the rough textures of the exterior fortifications, made of granite blocks and separated by layers of schist.

History

The first ducal castle was built in the 13th century on top of the (still visible) Gallo-Roman wall of the town, where the Namnetes settled. It was demolished in the 15th century to make way for the present building. The current castle was the work of Francis II, the last Duke of an independent Brittany, who wanted to make the Château des ducs de Bretagne both a military fortress, which could act as a defence against the King, and the principal residence of the ducal court. Work was continued by Duchess Anne of Brittany, twice Queen of France through her marriages to Charles VIII and Louis XII. Her influence can be seen in the sculptural décor (dormer windows overlooking the main residence, as well as the coat of arms and loggias on the “Golden Crown” tower), marked by the first signs of the Italian Renaissance.

Following the integration of Brittany into France in 1532, during the 16th and 17th centuries, the Château des ducs de Bretagne became the residence of the kings of France when they visited Brittany, and later a military barracks, an arsenal, and a prison. For three centuries, it endured countless transformations and considerable damage: fortifications, a fire in 1670, construction of the Military Saddlery (Bâtiment du Harnachement) for storing artillery equipment, an explosion in 1800, and so on.

Listed as a historical monument in 1862, it was sold by the government to the City of Nantes in 1915 before also becoming, in 1924, a municipal museum. During World War II, the occupying German forces built a bunker there.

The renovation

The 1990s focussed on restoring the Jacobins’ Tower (Tour des Jacobins), the façades of the Principal Governor’s Palace (Grand Gouvernement – 15c/17c) and the 15th century Golden Crown Tower (Tour de la Couronne d’Or). The Military Saddlery (Harnachement – 18c) refurbished in 1997, was used for temporary exhibitions.

In 2000 work began on restoring the white tufa façades of the main ducal residence (Grand Logis – 15c) to their full glory. These are the oldest and most impressive sections of the building, providing a link between the Castle of the Dukes of Brittany and the Loire Châteaux. The bell tower has been rebuilt and the spires have been replaced on the Golden Crown Tower (Tour de la Couronne d’Or). The interior of the ducal residence has also been completely restored and redeveloped to house the museum.

The restoration has brought out the full power of the Breton feudal fortress and the elegance of the Renaissance ducal palace.

The castle reopened in 2007.

 

 

 

 

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