Models

I will write more about models later. Suffice to say that I am captivated by them and models made many years ago can be seen at some chateaux. See

 

 

 

  • Paris Opera
  • Gare de Orsay
  • Pompidou Centre cardboard fold out.
  • Le Louvre - displayed in rooms within the old foundations
  • Le Louvre - displayed in rooms within the old foundations
  • Le Louvre showing Les Tuileries jardins and L'Orangerie building which houses Monet's magnificent Water Lily installation.
  • Le Louvre - displayed in rooms within the old foundations
  • Gare Montparnasse, Paris
  • Chronographe - Digital representation of Gallo-Roman settlement in Rezé
  • Château de Villandry
  • Centre for Contemporary Art -Tours- with new addition
  • Château de Versailles
  • Musée d’Arts de Nantes with new "cube" addition
  • Musée d’Arts de Nantes
  • Château de Chenonceau
  • Château de Saumur - riverside
  • Château de Saumur - riverside
  • Château de Montsoreau - riverside
  • Château de Montsoreau - riverside
  • Château de Montsoreau - rear entrance
  • Château de Montsoreau - rear entrance

 

The Abbey of Fontevraud transformed into an Ideal City by artists

 

 

Château de Versailles

Queens bedroom last modified by Marie Antoinette

 

 

 

From the official website

The Palace of Versailles has been listed as a World Heritage Site for 30 years and is one of the greatest achievements in French 17th century art. Louis XIII’s old hunting pavilion was transformed and extended by his son, Louis XIV, when he installed the Court and government there in 1682. A succession of kings continued to embellish the Palace up until the French Revolution.

 

 

In 1789, the French Revolution forced Louis XVI to leave Versailles for Paris. The Palace would never again be a royal residence and a new role was assigned to it in the 19th century, when it became the Museum of the History of France in 1837 by order of King Louis-Philippe, who came to the throne in 1830. The rooms of the Palace were then devoted to housing new collections of paintings and sculptures representing great figures and important events that had marked the History of France. These collections continued to be expanded until the early 20th century at which time, under the influence of its most eminent curator, Pierre de Nolhac, the Palace rediscovered its historical role when the whole central part was restored to the appearance it had had as a royal residence during the Ancien Régime.

 

The Palace of Versailles never played the protective role of a medieval stronghold. Beginning in the Renaissance period, the term “chateau” was used to refer to the rural location of a luxurious residence, as opposed to an urban palace. It was thus common to speak of the Louvre “Palais” in the heart of Paris, and the “Château” of Versailles out in the country. Versailles was only a village at the time. It was destroyed in 1673 to make way for the new town Louis XIV wished to create. Currently the centrepiece of Versailles urban planning, the Palace now seems a far cry from the countryside residence it once was. Nevertheless, the garden end on the west side of the Estate of Versailles is still adjoined by woods and agriculture.

 

 

 

 

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